We likely could reduce it down to even 512×512 and still get decent detail in the lighting. The reason we make a reduced version for lighting is that more detail in the lighting can create more noise which is undesirable.
We will use the 5K HDRI for our lighting and the 15K file for Reflections. Be sure to Save As rather than overwrite the 15K file. The Delorean model can be downloaded from the kind folks at īefore getting into Max and setting up our scene we’ll also want to throw the HDRI into Photoshop, hit ALT-I and change the resolution to 5000 Pixels wide.
#CRAZY BUMP GLOSSINESS FULL#
For this Tutorial we’ll be using HDRI Pack #3 from the folks at SMCARS.NET I’m not posting files directly here so you will want to go over to their site and download the pack. The plate I’ve chosen is IMG_7375 and we’ll use the full 15K Spherical HDRI seen below.
#CRAZY BUMP GLOSSINESS FREE#
The Plate is your background image and the Spherical HDRI will be used for lighting and reflections. There are numerous places to grab some free Spherical HDRIs, the trick is finding a resource that also provides plate images shot at the same location so there is complete continuity between plate and IBL. Material Library File for my Delorean Materials Acquiring the Plate, Spherical HDRI Images and Carįirst task is to find a decent plate image and Spherical HDRI to work with. ( SMCARS.NET)ĭownload My Final Render + Passes and After Effects File So let’s get started! Resources you’ll need: By doing this you have a reliable starting point for creating photo-real renders. The idea is to make the CG sit nicely into the plate with proper lighting, reflections and shadows. Also working a CG render into a photographic plate will reveal anything that looks off with your model, exposure and materials.
It allows you to focus on the photographic aspects of rendering before worrying about complex light placement, color etc. In my opinion this is the first kind of rendering exercise new CG artists should take on. The goal here is to get you creating reasonably “Photo-Real” renders as quickly and simply as possible using only a Plate image (background photo) along with a Spherical HDRI for an IBL (Image Based Lighting) setup.
We’ll be rendering this cool exterior shot of the always classy ‘81 Delorean. Anyway it’s a long one, but should be a good time! I go step by step so you should be able to produce very similar results, though you can also download my final 4K render and After Effects comp if you just want to skip the scene setup in Max. It can be, but this info is equally useful to seasoned artists. Also, though I call this an “Intro” this doesn’t mean this tutorial is specifically for beginners. When Pingg enters the igloo in the original version, he has Pingu's voice.After years of promising a Mental Ray tutorial I’m finally getting around to it! Ironically I am doing most of my work with Vray now, but Mental Ray is still a great engine! I think it’s important to learn to push the limits of the tools built into 3DS Max before jumping to 3rd party render engines and plug-ins.The snowman outside Pingu's igloo is missing its buttons, but has them in a rare photo.Pingu's Broken Ski from the Skiing episode reappeared in a pile of kindling in this episode.The colour of the polished blades on Pingu's sledge look white or silver depending on the glossiness.Although unconfirmed, it's quite possible that the visual effect of the melting snowman was done using candle wax.When the snowman completely melts away to reveal Pingu, all three young penguins have a good laugh over the whole adventure. Pingu is stuck inside the snowman, so Pingg and Pingo move it into the igloo and start next to the stove to melts. His sledge breaks on contact, but Pingu continues to slide along the snow and crashes into the snowman outside his igloo. But Pingu has now over-polished the blades of his sledge and he races past Pingo and Pingg and rockets out of control into a lump of snow. Once his sledge blades are clean, Pingu joins his friends in their third slide down the mountain. The blades on the bottom of Pingu's sledge are rusting, so Pingo gives him a oily rag to polish them down while they have another slide down the hill. Pingo and Pingg slide down at top speed, but Pingu is having trouble making his sledge go fast. After a long climb up to the top, they sledge back down to the bottom again. Pingu and his friends Pingo and Pingg go tobogganing up in the mountains.